Part I- click here
So the Brother and Sister make their way through the woods and finally stumble into a clearing with a house made of bread and sugar. Famished, Hansel and Gretel rush to the feast before their eyes and begin to indulge themselves. They hear a voice:
“Nibble, nibble, Little Mouse
Who is nibbling on my house?”
The children answer:
“The wind, the wind; it’s very mild,
blowing like the Heavenly Child.”
. . .and they continue to eat. What were the siblings thinking? Acting impulsively according to supposed ‘need’ they pushed thought aside. Of course they could have satisfied need with any number of available nuts, roots, berries or other items that take time and patience to satisfy desire, but once presented with a fantasy, they forgot to weigh the difference between their wants & needs.
Suddenly a door in the cottage opens and an old woman steps out.
She is old, like a grandmother, and Hansel and Gretel, feeling at ease with her appearance, accept her invitation to enter the cottage. So ensues the well-known process of entering Baba Yaga’s cottage in the woods! Like Little Red Riding Hood and any number of other well-known tales, we HAVE to go to the woods and find the crone. For one, we’ll never make it out of the woods if we don’t!
When Daniel-san visits Mr. Myagi, his teacher never seems to teach him karate! How frustrating is that for Daniel? Instead, Mr. Myagi insists he “wax on; wax off” and “sand the floor.” Daniel does not understand, but he does as his teacher commands. This is because Daniel is quite different than Hansel. He is both worthy & willing. He follows the teacher’s commands even when he doesn’t see the end from the beginning. Daniel has no inkling that “wax-on; wax-off” has anything to do with the “The Crane” position he will ultimately take in the ring when he faces-off against his enemy. He also does not realize (in the beginning) that he has so many OTHER things to learn along the way that are so much more important. Is the reason for Mr. Myagi’s commands the Crane position? Is it so Daniel can catch flies with chopsticks? Or is it so he can make choices about life and when he does, have the ability to carry through on the desires of his heart? When he enters the ring, the crane position is inside him. When the monsoon hits, it is Daniel-san who has the confidence and fortitude to rescue and persevere even against the forces of nature. He is not just training his body when he endlessly performs “sand-the-floor”; rather he is forming his character. He is also finding out who he is and what he can expect from himself.
What a marvelous thing that is! It’s something Hansel & Gretel don’t yet know. They tell “the witch” they are not anything, and maybe they don’t yet know either?
What does Baba Yaga demand? We know the #1 rule when encountering Baba Yaga in the woods: Feed the Crone! But what does that mean? How will I know when I meet the crone, and what do I feed “her?” First, know this: you cannot go looking for the crone; the Crone comes looking for you. There’s a well-known saying:
When the student is ready the teacher appears.
What does this mean? It means that the burden is on each of us to seek and find our self in the woods, searching. Once there, Really&Truly there…searching out the nooks and crannies, walking the byways: the Crone appears. If & when we feed the crone, the path appears.
Like Daniel-san, Hansel & Gretel are lulled by the mild appearance of the Crone: the grand-fatherly/grand-motherly demeanor of the teacher. The Crone is not a Nursemaid, though. If we are looking for a Nursemaid, that is a sure sign that we don’t belong in the woods! If we want/need a Nursemaid, we must still be in the castle.
When the princes s discovers the truth about her existence: that her very birth coincided with a horrible curse, the doom for her brothers who became swans by day, she knows that she has found her quest. The hero princess emerges. However, she lives in a castle, and leaving a castle is not as easy as it seems, for the heroine, like all of us, lives in a complex structure of a multitude of duties, traditions, ideologies, desires, wants and needs, all pulling at her in various ways. These form the rooms that make up her existence, and can even be a labyrinth of sorts. How does one find the way out? Even recognizing the need to leave the castle is an amazing feat, but needing to leave the castle (and go to the woods) and wanting to leave the castle to embark on a quest is not the same as actually finding the map to the door and attaining the key to the portcullis that bars the way.
In traditional lore, the hero or heroine must find the old retainer or the Nursemaid to receive the knowledge that provides the clue to leaving the castle. It is always arduous. It often requires a Mirror of True Seeing. Even Harry Potter finds it difficult to process looking in the Mirror of True Seeing, and he’s a “true” hero!
Bread is Basic
Bread is Important
Bread is Precious
In the story of the Twelve Wild Swans, the Princess Hero finds her Nursemaid in the dungeon, though, discovers the story of her birth, hears about her brothers, and this gives her not only the courage to leave, but also the means to do so. She enters the woods and we would think she is now ready for her quest, but NO! What does one do in the woods, and how does a hero[ine] find his or her way? She is ready, and the Crone appears. Fortunately, the Princess feeds the crone a loaf of bread. As Red Riding Hood’s mother stresses, she must take the basket of food to “grandmother.”
In the old tales emanating out of medieval times bread represents what is most basic and simultaneously most precious. There are times when famine and devastation last so long that city documents do not record a date, but instead just list an event “in the time of the Great Famine” because that is enough explanation. Bread is the staff of life. It is also the most basic of foods. It is foundational and precious at the same time. Much like “wax-on; wax-off” or “sand-the-floor,” or “paint-the-fence.” Whatever the Crone asks, it will be basic. It will be difficult to give, because it will be hard to do, and therefore a sacrifice and precious. Is it useful? Yes. DOes the Crone need it? No. The student must give everything. Ultimately, once given, the student gains all that is necessary for the next step.
Baba Yaga puts Gretel to work, learning how to be a woman of confidence. Gretel learns and learns well. How do we know this? We know, because when it comes time, Gretel is capable of the fire; she can be cooked / refined. She is “finished.” Complete. She passes the test. What about Hansel? He does not pass the test. His actions place him in a cage. He cannot be himself; instead he uses a fake bone that he passes off as a measure of his worth, and it is puny indeed. He will not be cooked because he cannot face the fire. He will never understand who/what the Crone is. To Hansel, and to the Brothers Grimm also, the Crone is a witch. How interesting is that? Does that mean Hansel never left home?
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